The Ruts were one of the great late 70's punk bands, and I still consider them amongst my top five British bands, though terribly shortlived they were.
Here's some information on a much overlooked classic band;
There's a bit of everything there in their music. From the explosive punkery of 'Babylon's Burning' or 'Backbiter' to thrash punk like 'I ain't Sofisticated' or 'Human Punk' to the mesmeric tour de force of 'It Was Cold' to just the excellent tunes of 'West One 'and 'Staring At The Rude Boys' to the reggae of 'Train In Vain' and 'Jah Wars'. One minor criticism. Their record covers were some of the worst I've ever seen and like The Sex Pistols, never featured band members on their covers!
"I don't think there's another band like us. We play fast numbers. We play slow numbers. We play reggae and we play good music and yeah we're very punk." Dave Ruffy 14.7.79 NME
from: punk77
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Hard punk outfit the Ruts, noted for their love of reggae and solid musicianship, were formed by Malcolm Owen (vocals), Dave Ruffy (drums), Vince Segs (a.k.a. John Jennings; bass) and Paul Fox (guitar). Their early years were characterised by relentless gigging, honing a set of breakneck stormers like "Criminal Mind" and "Human Punk", which were interspersed by slower, reggae-influenced numbers. They played numerous 'Rock Against Racism' benefits, often appearing on the same bill as London reggae artists Misty.
January 1979 saw a first wave of national recognition. A debut single, "In A Rut", financed by Misty's People Unite label, was an excellent mix of heavy power chords and a barked chorus of 'You're in a rut, and you gotta get out of it!'. Although it missed Britain's Top 40, the band were rewarded with three sessions for BBC Radio, and a contract with Virgin.
The second single, "Babylon's Burning", was even better: opening with emergency sirens, it featured an irresistible escalating punk riff and lyrics decrying the pressure cooker of Britain's inner cities. A commercial breakthrough, it reached the UK Top 10 in May 1979, but live appearances were beginning to attract the unwelcome attentions of skinheads, some of whom did not share the band's anti-racist stance.
The consequent violence became a source of great depression, especially for Owen, whose heroin habit was also causing problems. Nevertheless, the Ruts' debut LP, The Crack (1979), demonstrated that musically they were one of the most accomplished products of the punk rock era. Numbers like "Something That I Said" (the third single) and "Savage Circle" were tuneful power-punk anthems, and "Jah War", an account of an anti-National Front riot, underlined their mastery of dub rhythms, while "SUS", a song about excessive police powers, showed their political commitment hadn't cooled.
"Staring At The Rude Boys", their first single of the 80s, was the band's most accessible, and charted Top 30 in the UK. Tragically, though, it was to be their epitaph: in July 1980, Malcolm Owen's heroin-related death brought everything to a halt.
Virgin cashed in with a compilation of old material, Grin And Bear It (1980). Meanwhile, the remaining Ruts regrouped with Gary Barnacle (saxophone/keyboards), and with Fox taking over as lead vocalist, as Ruts DC (from the Latin 'da capo', meaning 'from the beginning'). But the creative chemistry had gone, and two further albums - Animal Now (1981) and Rhythm Collision Dub Vol. 1 (1982) - were a disappointing mix of pop-punk, funk and reggae.
By 1983 the band had disintegrated. Ruffy joined Aztec Camera and Barnacle became a busy session musician. Nevertheless, the original band's influence lived on: bands as diverse as New Model Army and Nirvana cited them as an inspiration, and posthumous releases like The Ruts Live (1987) and The Best Of The Ruts (1995) have testified to their continuing appeal.












