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Posts archive for: 1 June, 2006
  • philtre

    Listened to this (Nitin Sawhney: Philtre), on the long flight, and enjoyed every minute, which took away the 'trapped' feeling of limited space and spinal pain, and instead replaced it with vastness, an irony at 38000ft is the thought that for a moment the world can be your oyster.

    Nitin Sawhney is never at ease. Since the release of Human in 2003, he has DJd all over the world from the Hollywood Bowl in LA to London's Fabric, assisted the Royal National Theatre, starred in award-winning TV programmes and written scores for the City of Birmingham Symphony Orchestra and about a dozen films. Back in the studio doing his own material, it's the same crisis: no genre quite satisfies Sawhney, no suit ever fits.

    On Philtre, he travels restlessly though global club beats, Indian classical music, hip-hop,Bengali folk and occasionally somersaults away from this already eclectic milieu to toy with Flamenco, Americana and old-style Soul. No single tune is exactly representative, but "Dead Man" is typical: you're not sure if you're in Arizona or Assam. Oh, and it's slow pounding rhythm, grinding guitars and blues-Bollywood vocals (shared with soundtrack star Reena Bhardwaj) are just sublime.

    Collaborations are the crux of Sawhney's work. With Barcelona-based flamenco-hiphop collective Ojos de Brujo he teases out a stunning, fast-plucked two-parter, "Noches en Vela" and the equally frantic "Footprints". Tracing a melodic line from flamenco to raga, it's a subtly modulated burst of Hindu-lusian passion. He also teams up with Ninja Tune's Fink and human beatbox Jason Singh, as well as regular invitees Tina Grace, Tai and Sharon Duncan - and Mrs. Sawhney, his mum, guests on a Rag Doll, bright Hindi poem about a walk along the Ganges.

    He's often angst-ridden and energetic and can deliver raps and rants with gut-twisting anger, but Sawhney also knows how to slow down: much of this album is meditative and mellow. It opens with a slow, pulsing triphop 'Everything' and often makes excursions into yogic, relaxing ambient: "Void", "The Search", "Sanctuary". Elsewhere, the danceable beat hasn't gone - but it's now more of a deep, subdued groover pulsing through all the songs. Imagine Moby with a cultural heritage and an attitude.

    Prolific, polyglot, political - Sawhney preserves modern music's mental health. In many ways, he's Britain's Indian Manu Chao, but this album suggests he is not so much a global magpie in the postmodern mould as an aspiring craftsman. He weaves fusions with delicacy and pays tribute to well-established, traditional styles and genres rather than slapping and scratching them into a cacophonous collage. 'Philtres' are magic potions, healing balms - they make life better - and only canny, cunning wizards like Nitin Sawhney know how to mix them and serve them up.

    Reviewer: Chris Moss

    Track Listing;
    1. Everything
    2. Spark
    3. Dead Man
    4. Rag Doll
    5. Mausam
    6. Journey
    7. Void
    8. Koyal (Songbird)
    9. Noches En Vela (Part 1)
    10. Noches En Vela (Part 2)
    11. Mirage
    12. Throw
    13. Flipside
    14. Brainwaves
    15. Footprints
    16. The Search
    17. Sanctuary

  • pilipinas

    Initial hesitation turned to liking
    my fondness groomed by passing sentiment
    opening to the new the change is striking
    memories bring head luggage no lament

    The passing seems complete
    set on this land, right now
    my roots within me, future sights before me
    a perfect balance to which I bow

    Touching what touches me most
    with feelings deeply felt
    finding love with this country - my host
    forever at peace where I'm knelt.

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